Tuesday, April 18, 2006

Grotesque, understated and romantic, truly scary, and deeply satisfying.

Over the past few weeks I’ve seen quite a mixed bag of films, two of them in the cinema, two on DVD.

As a great fan of B-grade horror schlock, I was looking forward to ‘Hostel’, a film produced by Tarrantino and directed by Eli Roth whose previous film, ‘Cabin Fever’, had the slutty girls outliving the virgins in a neat reversal of the usual moralistic route taken by so many films of the genre. Despite that twist, it had nothing to redeem itself and any queasiness it may have induced in me was soon forgotten along with the rest of the film.


Philip French, in his Observer review, sums it up rather nicely:
‘Two American students backpacking around Europe are lured to a small town outside Bratislava, which is both olde-worlde and post-industrial. Appalling things happen to them and to an Icelandic friend. The picture combines soft porn and sadism and is unlikely to do for Slovakia what The Sound of Music did for Salzburg.’

Two thirds of the way through the film I suddenly thought to myself, ‘I’m really not enjoying this, why am I watching it?’ There was no dramatic tension, no suspense, nothing scary and no sense of anticipation. Once the maiming, mutilation and killing started, you knew that there’d be more and that it could only get worse. Gratuitous violence is expected from this sort of film but I found it gratuitously gratuitous.

It was truly grotesque.

Just before the film started, I saw whom I thought must be Moviebuff sneak into a seat near the front of the cinema. I confirmed it a day later and am gratified to know he thought much the same as I did about the film.

brief encounter
Just a few days later, I watched a film that is a masterpiece of understatement and repressed desire. David Lean’s ‘Brief Encounter’ (also known as ‘Noel Coward’s Brief Encounter’) was released in 1945 and describes the love affair that develops between two married people who chance to meet at a railway station.

For the next few weeks, they continue to meet at the station on a Thursday, sometimes going on to see a film together or to take a drive in the country. Their affair ends when the character portrayed by Trevor Howard, a doctor, moves to Johannesburg with his family to take up a position there. It was made during the second world which, arguably, was the time in which the British were at their peak in terms of selflessly doing their duty for society at large. Watching it from the perspective of our much more individualistic ways there are times when you want to knock their heads together and urge them to follow their hearts. But the strength of the emotion conveyed by both actors, especially by Celia Johnson, portrays love, doomed love at that, in a much more powerful way than any amount of nudity and passionate declarations of love found in the films of today. The over-refined, clipped English accents (think of the Queen) of the time are almost laughable in these much more egalitarian times but they become incidental once you get drawn into the affair.

brief encounterFilmed in black and white, the impossible choices faced by the actors are beautifully captured. Each time they leave each other, amidst the hissing and puffing of majestic steam trains, is almost clichéd in its portrayal of separation and distance but the atmospheric power of the film banishes most of the cynical responses one has as a modern movie-goer.

In case you think I’m a fan of films made in that era, I’m not. So if you’re not either, you may also love this film.

It was back to horror a couple of days later.

the descent‘The Descent’, directed by Neil Marshall, director of ‘Dog Soldiers’, a great werewolf flick, tells the story of six women who go caving in the Appalachian mountains where they discover some very nasty troglodytes who give them a rather unpleasant time. Before the arrival of the supremely vicious troglodyytes, the film works brilliantly as a psychological thriller exploring how the claustrophobia of the caves affects the women whose friendship is beset by multiple personal agendas.

There’s a dramatic change after the first gory attack – the film turns into standard gory horror fare but it's done effectively and scarily, making excellent use of various lighting effects. And, unlike the male bonding that happens in ‘Dog Soldiers’, these women turn on each other in a way that is almost more frightening than the troglodytes.

A really good horror film needs suspense, anticipation, dread and sufficient amounts of gore to make you want to hide your eyes.

‘The Descent’ has it all.

amy adamsAfter hearing Amy Adams being interviewed on Radio 4 the other day, I knew that I wanted to see ‘Junebug’. I saw it last night and, getting up from my seat at the end, ‘sighed with satisfaction’, to use a phrase by Peter Bradshaw in his review of the film. He sums it up perfectly as follows: ‘This is a movie that sheds fascinating and compassionate light on families: when a stranger comes among them, each individual family member behaves atypically, strangely to them, and they become strangers to each other.’junebug

Amy Adams more than deserved her Oscar nomination for best actress for her role as Ashley, the naïve, maddeningly chatty, pregnant woman who latches on to her sophisticated, older sister-in-law with endearingly infuriating enthusiasm. Nothing much happens in the film apart from a subtle exposition of how an unsophisticated family living in a rural area of the US southern Bible Belt reacts to the arrival of their son who lives in the big city with his new wife, an ambitious art dealer. Amy Adams is excellent but the acting is uniformly good. I particularly enjoyed Ben McKenzie's portrayal of the reticent and resentful under-achiever, her high-school sweetheart whom she marries. They live at his parents' house.

george and madeleineGeorge, the older, successful son who's moved to the city, is played by the deliciously hunky Alessandro Nivola. Madeleine, his art-dealer wife, is played by South African actress Embeth Davidtz.

Several of the reviews refer to Madeleine as being an upper-middleclass Englishwoman although she's not referred to as such in the film and she doesn't try to disguise her South African accent. In fact, Madeleine's description of her background is very similar to that of Embeth Davidtz. I know that the English South African accent, particularly if quite mild, is notoriously difficult to imitate and, I suppose, to recognise, but there are enough flat vowels for a film critic to know that the accent isn't English upper-middleclass.

I know that some people will find the lack of pace and barely discernible plot bad for their attention span but I think it's a really great little film that satisfies on many levels.


Blogger andrea said...

Your description of Hostel and mention of Dog Soldiers reminded me of An American Werewolf In London, which I loved way more than it ever warranted way back when. Thanks for the reviews. I saw Dogma last night and really enjoyed it. Have you seen it?

11:09 pm  
Blogger Reluctant Nomad said...

I also loved American Werewolf in London when it came out. I've seen it twice in recent years and still think it's a great film. The 'sequel', An American Werewolf in Paris, made much more recently wasn't a patch on the first one.

I also enjoyed Dogma a lot.

11:52 pm  
Blogger Phidoux said...

My you've been busy watching films! I'm going to check out some of the ones you mentioned. I'm a horror film buff - I think my fav of the past few years was 28 Days Later ...


7:44 am  
Blogger Phidoux said...

I'm especially interested in seein June Bug - I actually used to live a short drive from that very location in North Carolina - I was in Raleigh - however, from seein gthe trailer....it's dead on.

7:47 am  
Blogger Reluctant Nomad said...

28 Days later is excellent - I think it's also my favourite horror of recent years.

7:49 am  
Blogger whatalotoffun said...


10:48 am  
Blogger portuguesa nova said...

I looooved Junebug! Such an accurate portrayal of real America. Lots of deja vu for me.

12:15 pm  
Blogger Babsbitchin said...

Nomad, I love all those old movies. Did you ever see the movie, Criss Cross or Who's Afraid of Virgina Wolf? If not, please do. Did you see, Dog Soldiers and if so was it good?xoxox

3:00 pm  
Blogger Reluctant Nomad said...

whatalotoffun:i love good horror films; i even love bad ones but I really found Hostel nauseating in a very unpleasant way that made me really wonder about the stuff being shown to people these days - talk about desensitisation!!

portuguesa nova: after enjoying Junebug so much, it's good to know that it reflects well on real american life

babs: I've not seen Criss Cross but know Who's Afraid very well - a really great movie. I even posted something about it a few months ago: http://reluctantnomad.blogspot.com/2005/12/why-martha-your-sunday-chapel-dress.html

Dog Soldiers was great fun - all about military guys getting 'mixed up' with werewolves in rural Scotland.

3:47 pm  
Blogger miss tango in her eyes said...

Thanks for reminding me about Junebug! I keep forgetting about going out and renting it!

7:22 pm  
Blogger Terri said...

I watched 'Flight 93' and 'The Pianist' over the weekend. Two equally emotionally draining and brilliant films, as different as they are.
I'd be interested to hear what you say if you see 'Flight 93'... it's caused quite a bit of controversy, I believe.

PS... you posted my favourite Easter pic below, hahahahaha!!!

7:57 pm  
Blogger Reluctant Nomad said...

miss tango: Thanks for popping by. And, yes, make a point of hiring it, it's great.

Terri: I haven't seen it nor know anything about it. Will have to investigate.

12:33 am  
Blogger Rob7534 said...

I love horror too. I didn't like Hostel that much, because it was all about the sex and violence. I prefer my evil killers to be superhuman and unable to kill ala Michael Myers, Jason Vorheeies, Freddie Kruger etc...

It's nice to know you have been avoiding your blog for the Picture Shows!

6:35 am  
Blogger whatalotoffun said...

then you will like Saw 1 & 2

8:12 am  
Blogger Reluctant Nomad said...

rob: Superhuman villains (especially zombies!) are great but I think I generally prefer the non-superhuman variety. So, in a way, Hostel should appeal to me but it was the concentration on violence without dramatic tension that killed (!) it for me.

whatalotoffun: I saw Saw 1 and it was better than Hostel but quite similar in the way it was made. Definitely not a favourite of mine.

8:25 am  
Blogger Reluctant Nomad said...

rob: Superhuman villains (especially zombies!) are great but I think I generally prefer the non-superhuman variety. So, in a way, Hostel should appeal to me but it was the concentration on violence without dramatic tension that killed (!) it for me.

whatalotoffun: I saw Saw 1 and it was better than Hostel but quite similar in the way it was made. Definitely not a favourite of mine.

8:25 am  

Post a Comment

<< Home